This week Hold On heads to one of my favorite film gatherings, BlackStar Film Festival. I've now had the honor of screening three films at the festival (including Homegoings which won the 2013 Jury Prize in Documentary) and each time I leave inspired and encouraged to continue making new work. The theme for this year's festival is Resistance, showcasing stories of global struggle. The festival will also honor returning filmmaker, Ava DuVernay. Hope to see some of you there!
Next week Hold On heads to the American Black Film Festival in Miami where it will be screening in the World Showcase. Most recently, the film played opening night of Seattle's ShortsFest and was named one of Sundance's "10 Must-See Shorts" by IndieWire. In other news, our very own Jimmie Jeter has joined the cast of Chicago's Hamilton. Congrats J.J.!
I'm excited to announce my new fiction short, Hold On will premiere at the 2017 Sundance Film Festival. The film tells the story of a young man who is left to care for his grandmother one morning. The two-hander stars activist/former model Bethann Hardison who plays opposite newcomer Jimmie Jeter. Thanks to a talented & generous cast & crew!
Over the weekend I was honored to accept the Emerging Talent Award from the Voice of a Woman Festival whose mission is to feature the aesthetic expressions and points-of-view of women artists, as well as to give 'voice' to the stories and experiences of women and girls. Other honorees included fellow filmmaker Shola Lynch, VR designer Resh Sidu, the team behind Equal Means Equal, and Gamechanger Films. Thanks to VOW for presenting our works!
Last Wednesday, You Can Go was 1 of 8 films selected to screen at the 11th Annual NBC-Universal Short Film Festival held at the Directors Guild of America in Los Angeles. Big congrats to screenwriter (and dear friend) Daniel Solé, who was awarded Best Writer — and to all the finalists and their teams on their amazing work!
This weekend I'll be joining filmmaker Zeinabu Davis in conversation at Philadelphia's BlackStar Film Festival. We'll be discussing our latest work as well as the legacy of black women filmmakers in independent cinema. In addition, Julie Dash, who has influenced so many of us, will receive the 2016 Luminary Award. Hope you can join us in celebrating!
The following week, "You Can Go" is screening at the Martha's Vineyard African American Film Festival, where it is 1 of 5 films selected for the HBO Short Film Competition.
After showings in Seattle and Montreal, You Can Go recently made its European debut at the XXIII Capalbio International Film Festival in Tuscany where it was awarded the RIGENERAZIONE Prize. The festival, founded by the legendary Michelangelo Antonioni, is uniquely dedicated to the art of short film (and also happens to take place in a really cool medieval hilltop castle). It was inspiring to see so much great work from around the world -- particularly from those who are working under some of the most challenging socio-political conditions. Congrats to everyone on their films!
I was recently hired by Google to help capture its ongoing efforts to diversify its workforce. While working on this project, I had a chance to speak with some of the company's most senior executives, including Ruth Porat, CFO. With $150 million behind this commitment, it's clear that creating a diverse and inclusive environment where innovation can flourish is an important priority for the global tech company. You can read more about their plans here.
Firelight Media, the non-profit organization founded by filmmaker Stanley Nelson (Black Panthers: Vanguard of a Revolution; Freedom Riders), recently asked me to help capture their work with directors in their Documentary Lab, a mentorship program for emerging filmmakers. I myself am an alumna of the Lab and it was a pleasure to hear from both old friends and new on their experiences as fellows. If you're making a documentary feature, consider applying here.
Please tune in on November 9th at 8pm EST for Lifetime's Women of Honor a Veteran's Day tribute with special guests First Lady Michelle Obama and Dr. Jill Biden. As co-producer, I aided in both the development and the filming of the show which culminated in a unique trip to the White House.
Aside from keeping Mrs. Obama's seat warm, it was both an honor and a privilege getting to know three remarkable women – Cpt. Rolona Brown, Kathleen Causey and Jennifer Madden – who shared their stories of courage and sacrifice with us. Thanks for tuning in and for supporting our veterans, both men and women.
Please check out this video I put together with the help of a few pals for our friends at Thurgood Marshall Academy Lower School, a public elementary school in Harlem now in its 10th year. I was first introduced to TMALS while serving as a field producer with HBO in 2012. While making this video, it was a pleasure re-connecting with Principal Dawn DeCosta and meeting her many bright, new students. You can click here to help the school reach its annual fundraising goal.
Blackout, a new documentary I helped to research and produce will have its debut on PBS' American Experience next Tuesday, July 14th. Thanks to all the New Yorkers who shared their stories with us on and off camera. Below is a clip featuring Brownsville native and graffiti writer, Doc Tc5. Hope you enjoy the show!
On the night of July 13, 1977, lightning strikes took out several critical power lines, causing a catastrophic power failure and plunging some 8 million people into darkness in the New York City area. First responders, journalists, shop owners, Con Edison employees, and other New Yorkers tell about what happened when the lights went out.
This past week I realized it's been 10 years since making, "Rubber Soles," my senior-year film at NYU. Inspired by an earlier wave of students like Jim McKay and Peter Sollett, I took a community-based approach to filmmaking, collaborating with the Dunlevy Milbank Center, a branch of The Children's Aid Society in Harlem.
Working with the kids at Milbank (none of whom had acted before) proved to be both a joy and a success. Shot on 16mm, Rubber Soles went on to play festivals widely (including Tribeca & San Francisco) before airing on the PBS short film showcase, "Reel New York." Thanks to the cast (especially Evan and Regina), the crew and to all of the film's supporters.
Recently digitized from not-so luminous BetaSP tape, I'm pleased to announce "Rubber Soles" is now available online.
This February I escaped from New York to the Mississippi Delta as a guest instructor at Barefoot Workshops, a media arts organization that teaches individuals and organizations how to use new media to tell stories.
In this three-week filmmaking workshop students learned to produce, shoot and edit documentaries on members of the Clarksdale community. The workshop culminated in a community-wide screening that featured two 15 minute films. It was incredibly gratifying to work with such talented students and to meet the generous towns people of Clarksdale.
"A Blues Redemption," featuring Omar Gordon, is about a young blues musician who must face his troubled past; and "The New Roxy," is the story of Robin Cullonus' efforts to re-open an abandoned movie theater in the historically-black New World neighborhood. Congrats to all the students on their great work!
Proud to have reported from the field on this Frontline episode directed by Mary Robertson. Tune in tonight at 10pm on PBS to watch Omarina's Story, part 2 of an hour-long program on education, class and race in America.
I am pleased to announce, Homegoings: A Dance, a short companion film to my feature documentary, has been selected to screen on Opening Night of the 42nd Annual Dance on Camera Festival at the Film Society of Lincoln Center. This original dance was choreographed by Janet Wong and performed by LaMichael Leonard, Jr. and Shayla-Vie Jenkins of the Bill T. Jones/Arne Zane Dance Company. Below is a trailer and a few behind-the-scenes pictures from our film shoot.
Homegoings was recently honored with a nomination for "Outstanding Achievement in Non-Fiction Filmmaking for Television" by the 2014 Cinema Eye Honors, who recognizes "the highest commitment to rigor and artistry in the nonfiction field." Congrats to my fellow nominees and to all of the night's winners. It was great to see so many doc geeks in one room!